Violence in a Clockwork Orange - Sample Essays

Everything about "A Clockwork Orange" is carefully designed to make this difference apparent, at least to the adult viewer, but there may be a very real problem when even such stylized representations are seen by immature audiences. That, however, is another subject entirely, and one for qualified psychiatrists to ponder. In my opinion Kubrick has made a movie that exploits only the mystery and variety of human conduct. And because it refuses to use the emotions conventionally, demanding instead that we keep a constant, intellectual grip on things, it's a most unusual--and disorienting--movie experience.

The Old Ultra-Violence: A Clockwork Orange - The …

Post-modernism in A CLOCKWORK ORANGE | …
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Twin Peaks 2017: David Lynch ‘A Clockwork Orange’ | IndieWire

A friend of mine has suggested that Kubrick was pulling a fast one by running the old Kelly recording over the end credits of the film, thereby hoping to wipe away or, at least, to diminish the frigid effect of the movie. It seems to me, however, that the point of the Arthur Freed-Nacio Herb Brown number is much more interesting--and typical of Kubrick's method throughout "A Clockwork Orange."

depicted in A Clockwork Orange.

Alex's return is a return to a kind of crafty viciousness that most of us know only in the darkest corners of our souls. In other words, we can't--or shouldn't--share Alex's triumph. I am saddened--and a bit confused--for although The End flashes on the screen, that is not really the end of "A Clockwork Orange." As we walk out of the theater, and as the final credits are flashing on the screen, the theater is filled with the sound of Gene Kelly singing "Singin' in The Rain," backed by one of those fulsome old M-G-M orchestrations from the 1952 movie. The effect is that of the Ludovico Treatment gone slightly awry. Our reactions are both blissful (the recollection of the great Stanley Donen-Gene Kelly film) and, more immediately, terrifying (the memory of a scene in "A Clockwork Orange" in which Alex, doing a passable soft-shoe, kicks into semi-unconsciousness a man whose wife he is about to rape, all the while singing "Singin' in The Rain.")

Nov 14, 2014 · Like that of Blow Up, the representation in A Clockwork Orange (d
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A Clockwork Orange is a 1971 dystopian crime film ..

Although the film, like Anthony Burgess's novel from which it is adapted, is cast as futurist fiction, it is much more a satire on contemporary society (especially on British society of the late 1950s and 1960s) than are most futurist works, all of which, if they are worth anything, are meaningful only in terms of the society that bred them. It may even be a mistake to describe the movie "A Clockwork Orange" as futurist in any respect, since its made-up teenage language (Nadsat), its décor, its civil idiocies, its social chaos, or their equivalents, are already at hand, although it's still possible for most of the people who file in and out of the Cinema I on Third Avenue to ignore a lot of them.

Title: A Clockwork Orange (1971) 8.3 /10

A Clockwork Orange (1971) - Quotes - IMDb