Robert Frost: Poems “The Road Not Taken” (1916) …

"The Road Not Taken" by Robert Frost is a very powerful poem with one basic philosophical theme: individuality comes down to being able to choose between the popular choice or societal norms and a choice less explored.

The Road Not Taken" by Robert Frost , Poetry Explication

Robert Frost: Poems Summary and Analysis of "The Road Not Taken" (1916)
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Explication: The Road Not Taken by Robert Frost | …

In “The Road Not Taken”, Robert Frost sets up the lesson that life is full of decisions that will take us far away, to be an individual by choosing a road unique to us, and when we do choose to be without regret....

Robert Frost Poetry Analysis: The Road Not Taken and …

The poems, “Stopping by the Woods on a Snowy Evening” and “The Road Not Taken” by the American poet, Robert Frost illustrate the importance of decision making....

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American Literature – Easy Peasy All-in-One High School

The poems “Fire and Ice” and “The Road Not Taken” by Robert Frost both use the importance of decision making and its effects on the way we live to highlight how our path through life is defined by our choices.

Robert Frost, Iambic Pentameter & Mending Wall - …

If we are to believe Frost and his biographer, "The Road Not Taken"was intended to serve as Frost's gentle jest at Thomas's expense. But the poemmight have had other targets. One such target was a text by another poet who ina different sense might also be considered a "friend": Henry WadsworthLongfellow, whose poem, "My Lost Youth," had provided Frost with the title he chose for his first book.

Poetry Part II: Modernism & Post-Modernism | ENG 202 …

It is useful to see Frost's projected sigh as a nudging criticism of Thomas'scharacteristic regrets, to note that Frost's poem takes a sly poke atLongfellow's more generalized awe before the notion of what might have happenedhad it not been for the inexorable workings of Providence, and to see "TheRoad Not Taken" as a bravura tossing off of Fitz-James Stephen'smountainous and meteorological scenario. We can also project the poem against apoem by Emily Dickinson that Frost had encountered twenty years earlier in (1891).

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The drama of the poem is of the persona making a choice between two roads. As evolvedcreatures, we should be able to make choices, but the poem suggests that our choices areirrational and aesthetic. The sense of meaning and morality derived from choice is notreconciled but, rather obliterated and canceled by a nonmoral monism. Frost is trying toreconcile impulse with a con- science that needs goals and harbors deep regrets. The verbFrost uses is which means something less conscious than Theimportance of this opposition to Frost is evident in the way he changed the tide of"Take Something Like a Star" to "Choose Something Like a Star," and hecontinued to alter tides in readings and publications. suggests more of anunconscious grasp than a deliberate choice. (Of course, it also suggests action as opposedto deliberation.) In "The Road Not Taken" the persona's reasons wear thin, andchoice is confined by circumstances and the irrational: