So why is daily prayer so important?

SKIAPOD (Greek, "shadow-foot"; plural skiapodes): Also called monopods, these one-legged humanoids appears in ancient Greco-Roman writings such as Pliny's Natural History, Aristophanes The Birds, Ctesias's India, and Philostratus' Life of Apollonius of Tynna. In medieval writings, Saint Augustine writes:

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The six steps of goal setting are vision, goals, objective, tasks, timeliness, and follow-up.

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But Tolkien goes further than Milton in subcreation. On a more artistic level, Tolkien thought God also gives humans the opportunity to participate in creative imagination. We can design, build, or imagine our own designs and artwork. That artwork--if it is beautiful and true--can echo, enhance, mimic, or even go beyond the beauty of the natural world--thus expanding God's creation and pleasing the Creator that we imitate His activities. For Tolkien, humans had a moral and artistic duty to use their imaginations and to create fictional worlds, following the divine example. In particular, Tolkien thought writers, poets, and artists had a moral obligation to provide an "inner consistency of reality," i.e., that they must take the time to fill out the world and inhabit it--to give it a history, depth of detail, and sufficient scope for it to be a complete world where readers or viewers can lose themselves (see Duriez 191-92). Subcreators could craft their art to make it self-consistent and large enough to evoke wonder, a sense of what Tolkien calls "" or what David Sandners calls the . Just as the rational mind desires "a unified theory to explain or cover all phenomena in the universe, the imagination also seeks a unity of meaning appropriate to itself," as Duriez puts it (192). Such world-building would be a moral good, per se, regardless of any didactic teaching or moral message tacked on top of it. In this regard, Tolkien often heavily criticized C.S. Lewis's Narnian books. He felt Lewis was too focused on allegory and didacticism, and that misfocus caused the "inner consistency of reality" (Duriez 192) in his tales to suffer.

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Celebrating successes in your life is one of the most important and highly overlooked opportunities to honor yourself. You may set out with a long list to do in the morning, filled with errands and important appointments. The missing piece may be what you do to celebrate successes after everything is finished. Many times what gets noted is if we fall short of getting something done.

Another important element of daily prayer is asking God for the strength to repent of our sins.

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SPATIAL ORGANIZATION: The arrangement of details or description in an easy-to-follow manner based on their location. For instance, an author might organize materials from left-to-right, front-to-back, east-to-west, near-to-far, inside-to-outside, etc. This method contrasts with chronological organization (i.e, arrangement in terms of time), or order of importance (i.e., arrangement in terms of least important to most important, or vice-versa). The method has been popular in composition partly because it was a traditional tool among classical rhetoricians. Such rhetoricians would encourage public speakers to memorize lengthy speeches by mentally constructing a "palace of memory," an imagined walking tour of a familiar place like a building, with the various points to be covered in the speech corresponding to different objects or locations in this imaginary structure. The 6th-century poet Simonides of Crete is one of the oldest classical figures to use the method.

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SLEEPING HERO MOTIF: A motif common in Celtic folklore and Arthurian literature in which the heroes or mythological beings of old are not dead, but rather sleeping, waiting in heaven, or stored in alternative worlds like Fairyland. At some future time, they will awake or be called forth to fulfill some important function. In the legends of King Arthur, for instance, Malory recounts him as "Rex quandam et rex futurus," the once and future king who will return to Britain in the hour of its greatest need. We see 20th-century versions of this recreated in C.S. Lewis's Chronicles of Narnia. For instance, in Prince Caspian, Caspian's forces re-summon High King Peter and the other Pevensie children to save them from the Telmarine usurpers. More apocalyptically, in The Last Battle, we read of how a giant named Time sleeps in a cavern under the earth, waiting for Aslan to wake him so he can blow his horn to summon the stars from the sky before he plucks the sun of Narnia and destroys the world. Anthropologists might argue that, in the Christian tradition, the idea that Christ will have a second coming and return to earth is another example of the motif.

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SKELTONIC VERSE: Also called tumbling verse or Skeltonics, the term refers to an irregular verse used principally by John Skelton, the tutor of young Henry VIII. Skelton disregarded the number of syllables in each line and often experimented with short lines using only two or three stresses; he emphasized the stresses by alliteration and rhyme. The example below comes from his poem, "Colin Clout":