Pop-artists maintained and developed this idea.
Many Pop-artists continued this tradition of .
Only hereafter was the term Pop-art used as a technical name for the movement, partly due to the critics discomfort with the term , and partly due to the presence in New York of Lawrence Alloway - now a curator at the Guggenheim Museum - who advocated the adoption of the term.
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In economics, via the growth of the world economy in general and the American economy in particular; in science, via the spread of television; in contemporary music, (which itself became known as "Pop") through the miniaturization of radio, increased record production, the appearance of cult groups like The Beatles, and the phenomenon of pychedelia; and lastly through an expanding art market.
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In addition, the imagery and colour schemes for most Pop-art painting and sculpture was taken from high-profile and easily recognizable consumerist or media sources such as: consumer goods, advertising graphics, magazines, television, film, cartoons and comic books.
The artistic legacy of Theodor Seuss Geisel Discover
Such a trend, which almost always leads to a blurring of the line between art and demonstration - between something of beauty and mere entertainment - is the hallmark of .
Pop Art and Roy Lichtenstein – Verses Inked©
To achieve their goal of instant meaning, Pop artists experimented with new commercial processes, like , collage on canvas using materials not normally associated with painting, and silkscreen printing.
Jun 09, 2017 · Pop Art looks out into the World
For instance, Harold Rosenberg, one of the most influential in the field of contemporary art, described it as being "Like a joke without humour, told over and over again until it begins to sound like a threat...