Interviews with Amy Tan, biography.

Amy Tan is an author who uses the theme of Chinese-American life, converging primarily on mother-daughter relationships, where the mother is an emigrant from China and the daughter is fully Americanized --yellow on the surface and white underneath.

Guidance in Amy Tan's The Joy Luck Club

Her mother's strictness actually made Amy Tan hope that someday Daisy would actually

American Culture in Amy Tan's The Joy Luck Club

With this statement, author Amy Tan expresses the desire to rid her work of the label, "Asian-American fiction." Tan's writing proves to be universal, though all of her stories have modern Chinese characters combined with traditions and historical settings of China.

"Amy Tan Biography." Amy Tan Official Website. 10 September 2006. —.

The Joy Luck Club is a novel that tells the story of four Chinese-American women and their daughters who get together to feast and play the Chinese game of Mahjong. Told through a series of vignettes, the narrative explores the lives of these immigrant women and their children, vibrantly depicting the blending of cultures and the struggles of each generation to understand the other. As it paints a poignant picture of family, The Joy Luck Club explores themes of identity and legacy.

Welcome to the LitCharts study guide on Amy Tan's The Joy Luck Club

This thesis investigates the "talk-story" narrative patterns, which stem from the Chinese oral tradition, in selected works of two contemporary Chinese American women writers, Maxine Hong Kingston and Amy Tan. In The Woman Warrior, Kingston has experimented with a new kind of "talk-story" writing in blending family stories, cultural myths, fantasy, autobiographical details, and history, as she attempts to model her work on the familial talk-story culture she was nurtured in. Borrowing the term "talk story" from a pidgin Hawai'ian expression, Kingston develops a special kind of generic "talk-story" as an artistic creation in her fictions. Amy Tan's The Joy Luck Club is often compared to The Woman Warrior and a number of critics have observed the use of "talk-story" in Tan's novels, but the talk-story components in the two writers' works have been largely discussed in relation to the mother-daughter dyads and few critics have distinguished the different usages and functions of "talk-stories" in their works. Through a literary analysis of their works, my thesis attempts to enrich the concept of "talk-story" originated from Kingston, and discusses its relation to the works of Kingston and Tan, with an aim to teasing out the two writers' differences within their sameness. While Kingston exhibits a talk-story narrative structure in her works, Tan mainly confines the talk-story elements at a textual level as a healing narrative therapy between generations. I will argue that while both writers exemplify talk-story as a form of self-expression and empowerment, their talk-stories function differently as they interact with the mainstream discourse: while Kingston remodels the Chinese talk-story pattern by making it a form of literary art, Tan refashions talk-story as a kind of "talking-cure, " as in western psychotherapy, in her fictions and writes in the popular arena.

Annina's Amy Tan Page Interviews with Amy Tan, biography

When Jing-Mei learns that her mother had left behind two infant twin daughters in China, she was shocked. Not understanding how much Suyuan suffered over the incident, Jing-Mei treats the situation lightly. Later, after her mother’s death, Jing-Mei learns from the women at the Joy Luck Club and from her father, Tin, the whole story of her mother’s sufferings in China. The knowledge helps to appreciate all that Suyuan has done for her. It also teaches her to appreciate her Chinese heritage. As a result, when she learns that the twins have been located, she is willing to go to China and meet them in order to share Suyuan’s story with them. The journey to her native land makes Jing-Mei proud to be a Chinese.

"Double Face" analysis from The Joy Luck Club by Amy Tan

The cultural conflicts, identity clashes especially amid the Chinese mothers and their American daughters form the leitmotif in the works of the writers such as Sui Sin Far, Frank Chin, Maxine Hong Kingston and Amy Tan....