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A critical and historical study of the ideas, structure, and themes of major American novels,drama, poetry and short stories of the 20th and 21st centuries [HAT]
Calls for papers – Conferences taking place in June …
Introduces major genres of the African American literary canon: folktale, slave narrative, activist poetry, political essay, short story, and novel. Broaches themes such as bondage, religion, racism, morality, national identity, abolitionism, and group aesthetics. Explores texts from major writers spanning the 18th through the early 20th century (Harlem Renaissance and realism of the early to mid-twentieth century). Prerequisite: none [HAT] [AH]
Sanskrit Dictionary - Bhagavata
In order to make sense of the present, the British born generation begin to find their voice in poetry and the theatre which had emerged from community centres like the Keskidee Centre in North London which was established in 1970. Older playwrights like Mustapha Mutura in Black Pieces (1972) and Welcome Home, Jacko (1980), Edgar White in Lament for Rastafari (1983) and Michael Abbensetts in Sweet Talk (1974), Samba (1980) and Empire Road (1979) were beginning to write about the lives of young black Britons. While younger playwrights like Caryl Phillips' Strange Fruit (1981) and Hanif Kureishi's Borderline (1981) and Birds of Passage (1983) were mapping out in a more intimate way, a new multiracial Britain.
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SI Martin's Incomparable World (1996) revisits 18th Century Britain, while Dirian Adebayo's Some Kind of Black (1995) examines conflicting notions of blackness; as does Bernardine Evaristo's Irish/English/Yoruba epic Lara, Andrea Levy's north London family dramas Every Light in the House Burnin' (1994 ) and Never Far From Nowhere (1996). While Victor Headley's Yardie featuring gangster anti-hero D, unleashed a new hunger and audience for black pulp fiction, which has been quickly exploited by publishers X-Press.