Pierre-Auguste Renoir (1841 - 1919) | National Gallery, …
Renoir - paintings, biography, quotes of Pierre-Auguste …
Art prints of original Renoir paintings are extremely popular at the moment for those looking to add classic art to their own homes, and this website concentrates on his finest works as well as giving good information on the artist himself.
Pierre Auguste Renoir - The New York Times
With Claude Monet, Pierre-Auguste Renoir helped found , freeing painting from having to tell a story. Artists could simply capture what they saw. The son of a tailor in Limoges, Renoir saved the money he earned from painting china, fans, and window shades to move to Paris. Gustave Courbet and the in the were his first major influences. With Impressionism in the late 1860s, Renoir began using broken brushstrokes, his color became lighter, and he composed his canvases in patches of colored light. Unlike Monet, Renoir was interested in the figure. He stopped exhibiting with the Impressionists after 1877, when his portraits were accepted by the , whose wide audience helped him market his work. With success as a portrait painter, Renoir traveled widely. In 1881, having "wrung Impressionism dry," he went to Italy. Under the masters' influence, he aimed at classic form while retaining the Impressionist palette's luminosity. In later years, crippled with arthritis and wheelchair-bound, he painted with a brush strapped to his hand. He also created sculptures, dictating to an assistant who worked the clay.
Pierre-Auguste Renoir | Biography & 216 Most …
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Pierre-Auguste Renoir at Olga's Gallery
In 1880, he meets a young milliner, Aline Charigot, who works not far from his workshop. She is twenty years old, and will pose for him in many paintings. They will get married in 1890, five years after the birth of Pierre, and will rear three children, Pierre, Jean (the film maker) and Claude.
Pierre-Auguste Renoir - Totally History
Renoir will not adopt a personal mode of pictorial representation until the summer of 1869, when he worked with Monet at the Grenouillère, while painting the animation of this bathing spot for Parisian middle-class people with fast and vigorous brushstrokes of pure color, very simplified, barely outlined characters, mobile reflections of light rendered in a new way. The whole painting gives off an "impression" rather than any precise details.