Inland Sea is Stephan Micus’ 22nd solo album for ECM, each one taking his audience on musical journeys to far-flung places and unique sound worlds. For decades, he has been travelling, collecting and studying musical instruments from all over the world and creating new music for them. Micus often combines instruments from different cultures and continents that would never normally be played together, adapting and extending them, and rarely playing them in a traditional manner. The instruments then become a cast of characters that help tell the particular story of that album. While he plays nine different instruments on Inland Sea, the lead role belongs to the nyckelharpa – a keyed fiddle from Sweden, with an array of other instruments and vocals providing layers and textures throughout.

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User:Malik Shabazz - WikiVisually

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Quazarz Vs. The Jealous Machines (CD/LP)
Quazarz came to the Earth from somewhere else, a musical ambassador from his place to ours. Somehow, through fire or through fury, the Palaceer of caught wind of the tale, and it is through his prism that we hear the story. Coming from a simpler, more essential, innocent place, the hero could not make heads nor tails of most advancements. From an aerial view, he saw that a good percentage of earthly vibrations were on very small squares and it became his belief that this world was very disposable and the spans short. His opinion was not of anything good nor bad but simply the truth. The machines—he noted—though at the behest of their master’s voice, are scorned, and jealous as all hell. And so the tale is told while surfing on the board of Shabazz Palaces, with its sturdy base angled for takeoff on a new trajectory. There is new blood and space and room to be different and have different assets and different art and different ways to talk and also open up some space inside to do something new. There are pages and there are drawings, and color and faces and inked dialogues written in ancient futuristic hieroglyph. There are scales and there is melody and there are Sunny days and there is Darkness, but that—it should be noted—to the Palaceer is not a lack of illumination or brightness. Maybe it is dark, but in it is always optimism and joy, a bright darkness and a full, hopeful one as well.

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VARIOUS ARTISTS, Soul Jazz Records Presents Space Energy & Light (CD/LP)
Soul Jazz Records’ new Space, Energy and Light is a collection of music by early electronic and synthesizer pioneers (from the 1960s through the 1970s), mid-1970s proto-new age gurus and 1980s guerrilla D-I-Y cassette-era electronic artists, spanning in total over a near 30-year time frame. All of these artists used electronic advancements in music technology as a means of exploring not only space and the idea of the future, but also of looking inwards to the soul and of creating music in harmony with the natural world. From computer software and hardware experimentalists and sound pioneers such as Laurie Spiegel and Kevin Braheny, as well as Mother Mallard’s Portable Masterpiece Company – the first synthesizer ensemble created in collaboration with Robert Moog – through to the earliest musique concrète experimentation of Tod Dockstader, the album shows how technological advancements and creative artistic expression went hand in hand.

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Menelik Shabazz (born1954) is a Barbados-born film director, producer, educator and writer, acknowledged as a pioneer in the development of independent Black British cinema, having been at the forefront of contemporary British filmmaking for more than 30 years. Shabazz is best known for the 1981 film ‘Burning an Illusion’, his first feature. He was also co-founder in the 1980s of Kuumba film production company and Ceddo Film and Video Workshop, while as the publisher of Black Filmmakers Magazine and creator of BFM International Film Festival, he has been called the founding father of the BFM media project.

Vibrant photos capture spirit of 1980s NYC

photos by Jamel Shabazz - petrosater

In 1998, Shabazz founded Black Filmmaker Magazine (bfm) the first black film publication aimed at the global black filmmaking industry, and over the next decade the publication was distributed in Europe and the US. In 1999 he started the bfm International Film Festival as a platform for screening black world cinema and to inspire British talent , which became the biggest of its kind in Europe.

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Shabazz Palaces: Portraits, New Music - SSG Music