Jay McGraw, Life Strategies for Teens is ..

In this documentary the women's voices are brought to life again to tell the story of conditions for women both on and off the job in the latter part of the 19th century in Maine.

LIFE STRATEGIES OF TEENS BY JAY McGRAW – Write …

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Daily Life Strategies for Teens

As stated earlier in this work, "movies mirror the values, interests, cultural perspectives and prejudices of their makers". Similarly, Custen pointed out that the biopics of his study appear to be " . . . in-house reflections of the community of producers . . . " that made them. For example, he cites the relationship between Jewish performer George Jessel's background as a vaudeville performer and his " . . . production of six biographies for Zanuck at Fox . . . all (of which) placed vaudeville at the center of the universe . . . " Custen also observed that the studio biopics " . . . are the product of institutional pressures that located authority in the hands of one or more powerful figures whose world view was . . . remarkably narrow . . . " and that " . . . the producers of (the Hollywood biopics) . . . often filtered the content of a great life through the sieve of their own experiences, values, and personalities." In any case, the " . . . studios tried to control, through various means, the attempts of others to shape their making of history. They accomplished this--in part for reasons of efficiency, in part for ideological purposes . . . " The more current and extended study of the Hollywood biopics suggests that these phenomena of rewriting history and attempting to control moviegoers' views of history continue without significant change.

Jay McGraw - Life Strategies for Teens, Closing the Gap

University professor and author Kindem Gorham also states that " . . . although the feature film industry has grown and changed rather dramatically during the past century, its basic motivation to maximize profits through specific policies and strategies--such as . . . cooperation and competition with related entertainment industries, self-censorship, and the concentration of power in a few companies that dominate both foreign and domestic markets--have remained remarkably unchanged."

Jay McGraw fine-tunes his father's "Life Strategies" to introduce its concepts to teens

14/11/2001 · Self Matters - Kindle edition by Dr

The film centers around the life of Paru, one of the Panihari (women who fetch water) as she struggles against nature and society to attain self-reliance for her family and herself.

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This project explores the notion of performance in everyday life--forms of activity which would otherwise be censurable, dangerous, or threatening--in the context of a gender-segregated and patriarchal culture.

Daily Life Strategies for Teens : Jay McGraw : …

In 1969, actress Judy Garland took her own life " . . . in a locked London bathroom." According to Katz, the " . . . official coroner's verdict attributed her death to an accidental overdose of sleeping pills. But actor-dancer Ray Bolger, Dorothy's Scarecrow friend in , commented: 'She just plain wore out." According to Katz, she " . . . was still in her teens when she began being plagued by a weight problem. In an effort to contain her tendency to gain pounds, the studio put her on a strict diet and a doctor recommended pills. At the same time, the strain of work began taking its toll on her nervous system, and before long she was living on pills; pills to put her to sleep, pills to keep her awake, and pills to suppress her appetite. By the time she was 21 she was seeing a psychiatrist regularly . . . "

Life Strategies for Teens book by Jay McGraw (Read …

Another areaworth exploring is the classification of mediator’s strategies into atheoretical framework or typology. More recently, Shimanoff reconceptualized Brown& Levinson’s FTA typology and identified four types of affectivestrategies. These are (1) face-honoring (FH), (2) face-compensating (FC), (3)face-neutral (FN) and (4) face-threatening (FT). The first three typesrepresent respect strategies for other’s face while the last represents anegative face-confronting strategy.