unfinished Arthurian romance, ..

King Arthur is an important figure in the mythology of Great Britain. He is the central character in Arthurian legends (known as the Matter of Britain), although there is disagreement about whether Arthur, or a model for him, ever actually existed and in the earliest mentions and Welsh texts he is never given the title "king". Early texts refer to him as dux bellorum ("war leader") and High Medieval Welsh texts often call him amerauder ("emperor"). However, a recent translation of newly discovered documents may have referred to him as a king.

Values and Lifestyles of Arthurian Legend essays

The historical basis for the King Arthur legend has long been debated by scholars

Constantine does not figure strongly in the Arthurian romance ..

Taliesin "of the shining brow" is a mytho-historical character generally associated with early Wales and North Western Britain in the 6th century AD. He is a figure belonging to both history, as an important Old Welsh court poet, and to mythology, as a magician and seer in both Celtic and Arthurian legend. The fictive and quasi-fictive literature that uses Taliesin, as either a significa...

The Literary Development of the Arthurian Legend …

The Lady of the Lake is an especially ambiguous and shifting character in the Arthurian legends. She accordingly goes by several other names, most of which are variations on Nimue or Vivianne, the latter derived from a Celtic water-goddess. In her initial appearances, however, she is nameless: in the Old French Le Chevalier de la Charette Lancelot mentions a powerful ring given to him ...

In romance, both Arthur's role and his character undergo changes inconsistent ..

Literary Terms and Definitions A - Carson-Newman College

Gawain, usually the son of King Lot of Orkney and Arthur's sister Morgause, is one of the most pervasive figures of the Arthurian tradition. He appears in nearly all of the major Arthurian stories, medieval and modern, and plays a central role in many. There are, in fact, more medieval romances devoted to Gawain's exploits than to those of any other of Arthur's knights, including Lance...

King Arthur: King Arthur is an ..

Enid and Geraint are the principle figures in the Welsh tale of Geraint the Son of Erbin, to use Lady Charlotte Guest's title, or Geraint and Enid, one of three Welsh stories analogous to romances by Chrétien de Troyes (the others being Owain and Peredur). Chrétien's Erec et Enide, written c. 1170, is his earliest extant Arthurian romance. (Earlier he wrote a Tristan story, w...

must have a court—and created the "romance" side of the Arthurian story ..

Alfred the Great Guthrum – Historical Fiction reviews

Some members of this school, most notably Geoffrey Ashe and Fleuriot, have argued for identifying Arthur with one Riothamus, "King of the Brettones", who was active during the reign of the Roman Emperor Anthemius. Unfortunately, Riothamus is a shadowy figure of whom we know little, and scholars are not certain whether the "Brettones" he led were Britons or Bretons.

The Grail legend was the most important and mysterious of all the adventure in Arthurian romances

Pre-Galfridian Arthurian Characters

Chrètien de Troyesriting in the in the last three decades of the twelfth century, established the importance of Arthur’s knights and probably drew both the Grail legends and Tristan legends into the cycle as well. The new genre of romance focused not only on the exploits of fighting in wars and ts or battling against mons but also on the trials and fortunes of lovemixedaudiences of men and women. Chrètien’s contemporary, Marie de France, assumes that her audience of noble readers understands the entire royal French culture of the Arthurian court.

Arthurian legend: Arthurian legend, the body of stories and medieval romances, known as the matter of Britain, centring on the legendary king Arthur

Romance Debuts | There's nothing like a new romance

Just as the Holy Roman Empire retained few of the characteristics that we might otherwise associate with "empire," except for claims of universal authority, the Japanese adopted Imperial Chinese titles and ideology, not because their monarchy or their country had many similarities in "historical circumstances" or structure to China, but because the Japanese could not see their monarchy as being any less exalted in authority and status than that of China.