Ford Thunderbird: Movie and TV-Birds—The Sixties

(You may wish to view more crinoline styles for costuming purposes in the section .) Another influential fashion silhouette of the period was that of the late 1940's swing coat by Jacques Fath, which was a great shape to cover up full skirts and an ideal silhouette for the post war high pregnancy rate. This style was also often made as a loose full tent line duster coat, but often without the double breasted feature and buttons shown here.In contrast to the full skirted New Look, Chanel who had reopened her fashion house in 1954 began to produce boxy classic Chanel suit jackets and slim skirts in braid trimmed, nubbly, highly textured tweeds. She used richly textured wool slub fabrics sometimes designed by the textile artist Bernat Klein. The silhouette was straight down and veered away from a nipped in waist. The beautifully made suits were lined with lovely silk fabrics. They were weighted along the facing join and inside lining with gilt Chanel chains.The fashion look was easy to copy and very wearable. Major chain stores sold suits based on the design. Accessorized with strings of pearls the style has frequently been revived over the seasons and in particular a collarless style of coat and jacket she popularised, is now called the Chanel line. The collarless Chanel line jacket was hugely popular again in both the 1980s and the . America in particular bought Chanel's designs in large numbers. Her influence of boxy suits of the fifties has far more bearing on sixties fashion style, than Dior's New Look design. Here are some. During the 1950s Dior showed his H, A, and Y lines. The H-line of 1954 was a slender tunic suit with a slim skirt that later became more of a dropped waist tubular twenties style dress with a hemline that was creeping upwards. This would become a classic 1950s fashion garment. Hubert Givenchy designed a Paris collection dress in 1957 called the sack and it started the trend for straighter waist less shift dresses. First it developed into the fitted darted sheath dress and later into the loose straight short shift dress. By 1958 the style really began to catch on. The design was picked up by who modified it to her taste. Various refinements on this early sack dress picked up by Courrèges, led Quant to go one step further and design the mini shift dress that was to dominate the 1960's decade.The trapeze dress was a swinging dress almost triangular in shape and designed to be worn with low shoes and bouffant hairstyles. Over the years it too was modified into the short baby doll tent style making the 60's version. A shaped Tent dresses with cutaway armholes were an alternative look of the sixties. Similarly the empire line dress that had been introduced in 1958 was loved by young teenagers who looked childlike in the style, hence phrases like "baby doll style" were applied to it. The empire line dress of 1958 was loved by young teenagers who looked childlike in the style and the opposite of looking 'grownup' like their mothers which by then was the worst possible 'fashion' look to have.Chanel was already criticising the boned bodices promoted by Dior as backward looking. The emerging new society was only too willing to agree with her. However as mentioned above, Dior's looser freer styles were partially the starting point for Quant's early designs.Chanel was astute enough, to know that couture had a limited future. Its influence was morphing into one that would culminate in branding and ready to wear designer labels in the next decades. Couture Design House survival now depended not on the depleted 3000 private rich customers, but on selling designs to the mass market. In Britain, models began to be licensed to companies like Wallis and soon provided a useful source of income. Macy's of New York paid huge sums of money for an individual Toile, a linen or calico copy of the designer model garment. Every piece of information they needed to make the garment as a near copy would be provided. Details of trimmings, buttons, fasteners etc were all part of the price paid. With thousands of copies constructed, Macy's could afford to sell a dress worth $1000 for $100. If they sold a superior more exact version as a limited copy, they could sell it as a designer original and reap the reward of a higher designer price.Fashion history shows that styles and garments of the fifties and sixties were revolutionised by new fabrics.

The Sixties – The New Generation – Legends of America

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The 1960s The Decade that Shook Britain - Historic UK

The Fifties saw a new development in the music scene with Rock ‘n’ Roll and rhythm and blues music becoming hugely popular. The decade saw the start of music icons such as , Johnny Cash and June Carter. Also during the Fifties a new group of actors and singers developed called based around Stephen Bogart. Their big band, crooner style was immensely popular and they were a constant hit throughout the fifties and sixties. The original members of The Rat Pack included Frank Sinatra, Sid Luft, Stephen Bogart, Judy Garland, , Swify Lazar, , Spencer Tracy, George Cukor, Rex Harrison, and Jimmy Van Heusen. With later to follow; Sammy Davis Jr. and Dean Martin.

17/02/2018 · If the Fifties were in black and ..

Many of the were synthesised from petrochemicals. They were promoted for their easy care wash and wear qualities which often meant a quick rinse and drip dry with minimal or no ironing required. Initially they were novel, but expensive materials. Crimplene at first could only be bought in high class Madame shops. Nylon (Polyamide), Crimplene (Polyester) and Orlon (Acrylic/ Polyacrylonitrile) were all easy to look after and were soon affordable. Crimplene enabled everyone to wear white and pastel colours because they could be washed easily as polyester does not yellow like white nylon does with age and sunlight. The fabric also tailored well and could be made into button front, double breasted, wide collar dresses and retain a crisp appearance through washing.In the early fifties, America had easier access than the UK to really attractive man made fibre goods. Many UK people had their first nylon goods from America in parcels sent by American pen pals. I recall receiving beautiful silky lemon nylon pyjamas one Christmas and being so excited about them. But best of all, I received the following year a beautiful lemon nylon, tiered party dress even better than the PJs. I will never forget how wonderful that frilled and very pretty dress seemed - Sheila Sapp of Oakland Avenue, Ohio if ever you read this I thank you. Sketch of typical double breasted shirtwaist slim line 1950's dress. Such dresses were usually made of hardwearing wool Barathea suiting material and often had a large white organdie collar and cuffs with a bias bound edge that could be detached and washed, then sewn back into position. Such cuffs were called French cuffs. The handbag is a style similar to the famous Kelly bag.The new fabrics of nylon and polyester were ideal for women's trousers and ski pant styles. Mock suede or suedeen jackets were made from the new fibres and were worn with tapered nylon stretch knit trousers often made by Slimma or Marks & Spencer.Throughout the early 50s the ponytail was a popular youthful hairstyle and it matured into the French pleat. Fashionable hairstyles began with simple ponytails and ended the decade with complex beehive arrangements. Popular hairstyles in the 1950s and 60s were the poodle cut and the French pleat and later the beehive which began at the tail end of the 50s. For the more sophisticated, a permanent wave in the styles favoured by Elizabeth Taylor and the young Queen Elizabeth II were universally worn. Their popular bubble cut hairstyles were easily copied with the advent of improved hair products, particularly home perms. Other stars that captured the look of the day were Leslie Caron, Audrey Hepburn, Sophia Loren, Brigitte Bardot and Doris Day. Hairdressing was so big, that by 1955 almost 30,000 salons had sprung up in Britain. As products such as hair lacquer sprays and plastic rollers came into general use it was easily possible for ordinary women to create more and more complex hairstyles of height. By the late 50s, outrageous backcombed bouffants, beehives, and French pleats led the way for the intricate coiled hairstyles of the 1960s. Women mostly bought their hair lacquer from their hairdresser and decanted it at home into nylon puffer spray bottles. By the end of the 50s, hair spray in cans, commercial shampoo, conditioner and rollers all became big business that boomed in the sixties. Dusty Springfield's Lavish backcombing was hair sprayed and the style teased, prodded and smoothed into a high mound. After Dusty Springfield's beehive came the Beatle cut and Vidal Sassoon's five point cut bobbed style. sported a Sassoon haircut A softer fringed haircut followed the Beatles rise to fame and a cover album where all four Beatles wore black polo neck sweaters. Image right of Dusty Springfield the British singer and her beehive hairstyle. This half up, half down style was a compromise between wearing the hair up and wearing it down. Until 1950 the term teenagers was not in general use. Children were known as girls and boys were called youths once they displayed signs of puberty. Then young people were grown up at 18 and fully adult legally at 21 when they often married and set up a home of their own even if it was rented room. Getting married was a way of showing the adult world that you belonged to their world and was a way of escape from puberty.During the 1950s a range of influences including film, television, magazines and the rock music scene created a new market grouping called A sudden flurry of consumer goods denied to war torn Europe were available and a consumer boom was actively encouraged. Teen clothes, that were specifically intended to be bought by teenagers became available.You can read more , teen clothing and 50's teen fashion idols in another special 1950's page and in . Most of the British nation still kept religious holidays like Whitsunday and Whit Monday when the mixed congregations from chapels and churches would march through British towns parading their chapel banners and wearing their Sunday best. The clothes would follow the up to date fashions of the time and be sparkling clean often in the new fabrics. Girls dresses were almost always in nylon with skirts puffed out with petticoats.Children and families would be gathered together for a few family photographs to be taken with cousins and neighbours. The photographs were often only taken at Whitsunday and show how formal the dress of girls was even then. They always wore gloves for the occasion and sometimes fake flower corsages usually made from stiffened fabric such as organdie or cotton.Young women attempted to be as glamorous and grown up looking as their mothers or especially as royalty or film stars of the day. Film stars such as Elizabeth Taylor, Doris Day, Debbie Reynolds and Marilyn Monroe were poplar icons of their day. 7 and 15 year olds dressed in Whitsunday best. I am wearing a paper nylon striped raspberry pink and white modern nylon dress next to my teenage sister who is only 15 yrs, but is dressed to look older. She wears a green and white, striped pique cotton, starched dress with whitened shoes and gloves to give a lady like look. But look at her narrow waist and you realise she is very young despite the glamour make up.The pointed pre formed conically stitched bra was actually a fashion accessory as without one the sweater girl look was certainly not right. Fashionable accessories included popper beads and that arched in twirls upward that could be studded with rhinestones. were introduced in Britain in 1952, but the masses did not take to them as the early shaping was so poor compared to regular fully fashioned, shaped, seamed stockings. Only later in the fifties did they gain approval. Get stockings at . Stocking sizes ranged from size 8 to size 11 going up in half sizes. The fit varied from brand to brand, but fully fashioned seamed stocking were well shaped on the foot and heel although the yarn used was not stretchy and sometimes a little bagging could happen so that fine wrinkles appeared. It was essential to either check your seams were straight using a back mirror or get a sister or friend to tell you nothing was crooked. Stockings are discussed more in the part 2 of selling and collecting and also on this page of Early 1950's shoes were often very high, but with rounded or peep toes and low cut front uppers. Strapped sandals with finer heels were popular as were heavier thicker heels for lower shoes, but by the mid fifties kitten heels and replaced styles that owed more to designs that had been brought out to compliment the New look of 1947. Read more about fashion in the 1950s in my other pages such as . I also look at of the 50s and . Social history is covered and compared to today in the , plus the The Second World War left women craving for glamour, style and swathes of fabric where scraps of material had once existed. Dior's full skirted and waisted designs fulfilled all the early dreams of the feminine woman in the early 50's. As a new, more liberated society evolved, women moved toward freer more relaxed clothes and began the move away from the dress rules and associated formality of decades. For more information about the 1950s Era and main links to 1920s, 1930s and 1940s sections click on the titles below:-

a constant hit throughout the fifties and sixties.

were welcome in Australia during the 1950s

Fads and Fashions during the 50s and 60s..