The Novels of Nadine Gordimer: Private Lives, Public Landscapes.

In the post-apartheid 1990s and 21st century, Gordimer has beenactive in the HIV/AIDS movement, which is a significant publichealth crisis in South Africa. In 2004, she organized about 20major writers to contribute short fiction for ,a fundraising book for South Africa's ,which lobbies for government funding for HIV/AIDS prevention andcare.On this matter, she has been critical of the current South Africangovernment, noting in 2004 that she "approves" of everythingPresident hasdone except his stance on AIDS.

Nadine Gordimer: A Bibliography of Primary and Secondary Sources.

Cracks in the Wall: Nadine Gordimer's Fiction and the Irony of Apartheid.

The Later Fiction of Nadine Gordimer.

Her works began achieving literary recognition early in her career, with her first international recognition in 1961, followed by numerous literary awards throughout the ensuing decades. Literary recognition for her accomplishments culminated with the Nobel Prize for Literature in 1991, which noted that Gordimer “through her magnificent epic writing has—in the words of Alfred Nobel—been of very great benefit to humanity”.[1]

For a study of Nadine Gordimer's work see Michael Wade, (1978).

During the 1960s and 1970s, she continued to live in Johannesburg, although she occasionally left for short periods of time to teach at several universities in the United States. She had begun to achieve international literary recognition, receiving her first major award in 1961.[10] Throughout this time, Gordimer continued to demand through both her writing and her activism that South Africa re-examine and replace its long held policy of apartheid.

From the Margins of Empire: Christina Stead, Doris Lessing, Nadine Gordimer.

Remembering Nadine Gordimer - the ‘writers’ writer’ - …

The House Gun (1998) was Gordimer's secondpost-apartheid novel. It follows the story of a couple, Claudia andHarald Lingard, dealing with their son Duncan's murder of one ofhis housemates. The novel treats the rising crime rate in SouthAfrica and the guns that virtually all households have, as well asthe legacy of South African apartheid and the couple's concernsabout their son's lawyer, who is black. The novel was optioned forfilm rights to Granada Productions.

The biography of nadine gordimer - …

Gordimer's 1979 novel is the storyof a woman analyzing her relationship with her father, a martyr tothe anti-apartheid movement. The child of two Communist andanti-apartheid revolutionaries, Rosa Burger finds herself drawninto political activism as well. Written in the aftermath of the , the novel was shortly thereafter banned by the SouthAfrican government. Gordimer described the novel as a "codedhomage" to , the lawyer who defended and other anti-apartheidactivists.

No Cold Kitchen: A Biography of Nadine Gordimer …

In addition to those disagreements, Roberts critiques Gordimer'spost-apartheid advocacy on behalf of black South Africans, inparticular her opposition to the government's handling of the AIDScrisis, as a paternalistic and hypocritical white liberalism. Thebiography also revealed that Gordimer's 1954 essay, A South African Childhood, was not whollybiographical and contained some fabricated events.

Nadine Gordimer at the Nobel e-Museum

Gordimer's award-winning 2002 novel, , considers the issues ofdisplacement, alienation, and immigration; class and economicpower; religious faith; and the ability for people to see, andlove, across these divides. It tells the story of a couple: JulieSummers, a white woman from a financially secure family, and Abdu,an illegal Arab immigrant in South Africa. After Abdu's visa isrefused, the couple returns to his homeland, where she is thealien. Her experiences and growth as an alien in another cultureform the heart of the work.

Nadine Gordimer: A Bibliography of Primary and Secondary Sources

Gordimer studied for a year at the University of the Witwatersrand, where she mixed for the first time with fellow professionals across the color bar. She also became involved in the Sophiatown renaissance.[6] She did not complete her degree, but moved to Johannesburg in 1948, where she has lived ever since. While taking classes in Johannesburg, Gordimer continued to write, publishing mostly in local South African magazines. She collected many of these early stories in , published in 1949.